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Experimental Geography
June 28 – September 20, 2009
Reception Sunday, June 28, 2-4pm, part of LAND/ART Symposium
Weekend
Panel Discussion Sunday, June 28, 1pm
Experimental Geography was a group exhibition exploring
the distinctions between geographical study and artistic experience of
the earth, as well as the juncture where the two realms collide and possibly
make a new field altogether. The exhibition presented a panoptic view of
this new practice through a wide range of mediums including interactive
computer units, sound and video installations, photography, sculpture
and experimental cartography created by 19 artists or artist teams from
six countries as well as the United States.
Curated
by Nato Thompson and organized and circulated by Independent Curators
International, the exhibition was based on the notions that geography benefits
from the study of specific histories, sites and memories, and that every
estuary, landfill and cul-de-sac has a story to tell. The exhibition was
accompanied by an illustrated catalogue co-published by iCI and Melville
House Publishing, including essays by curator Nato Thompson, art historian
Jeffrey Kastner, and artist Trevor Paglen.
Artists:
Francis
Alÿs
AREA Chicago
The Center for Land Use Interpretation (CLUI)
The Center for Urban Pedagogy (CUP)
kanarinka (Catherine D'Ignazio)
e-Xplo
Ilana Halperin
Julia Meltzer and David Thorne
Lize Mogel
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Multiplicity
Trevor Paglen
Raqs Media Collective
Ellen Rothenberg
Spurse
Deborah Stratman
Daniel Tucker, The We Are Here Map Archive
Alex Villar
Yin Ziuzhen
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Download map here for Experimental Geography participant project for Albuquerque or link to the official city web page here.
For more information about Experimental Geography and the tour
through 2010 download press release
Programs for Experimental Geography
at the Albuquerque Museum

Mark C. Childs |
Saturday, September 12, 3pm
Urban Landscape Tour
How do we understand our urban space? Does Albuquerque have a distinctive atmosphere? What part do we play in constructing a sense of place? Mark Childs, Director of the Town Design Program at UNM, led an exploration of a collection of public spaces in and around the Albuquerque Museum, to reflect upon our connections to the urban landscape.
(Mark C. Childs, AIA, is director of the Town Design Certificate Program and Associate Director of Architecture at UNM. He is a Fulbright Scholar [Cyprus 2005] and author of Squares: A Public Place Design Guide, and the forthcoming Urban Composition). |

Saturday, September 19, 2pm
Gallery Performance: Reading Landscape(s)
Modeled after the tradition of "El lector de tabaqueria", the Cuban cigar factory reader who spent each day reading aloud to fellow workers, this performance event combined contemporary writing with visual production to explore our connections to the land. Artist Ellen Rothenberg and a team of cultural workers fabricated bundles of excerpted texts and re-purposed camouflage clothing used in her cartographic wall drawings, while writers from New Mexico's diverse communities read works responding to landscape, geography and place. (Ellen Rothenberg is on the faculty at the Art Institute of Chicago. Her works have been presented throughout the U.S. and in Europe).
The Shape
of Time: Photographs of Star Axis by Edward Ranney, 1979-2009.
June
28 – September 20, 2009
Reception Sunday, June 28, 2-4pm, part of LAND/ART Symposium Weekend
Panel
Discussion Sunday, June 28, 1pm

Edward Ranney, Star
Axis, 10/8/08, silver gelatin print
Edward Ranney has photographed the growth of the earth-sculpture Star
Axis since 1979, when Charles Ross began excavation of the southern
edge of Chupinas Mesa, near Las Vegas, New Mexico, for the construction
of the site's eleven story Star Tunnel. The large-format photographs
Ranney has taken each year since then reveal a major site growing out
of its own rubble. For Ranney, with his extensive experience photographing
pre-Columbian sites of ancient America, this process might be described
as a kind of visual archaeology in reverse. Inherent in a project spanning
a generation are visual observations of the power of a specific site as
it grows and changes over time, as well as a poetic sense of the changing
shape of time itself. Here photographic documentation speaks not only
of architectural construction, but also of process and duration, intuition
and aspiration and a shared desire to understand cosmic phenomena on a
human scale.
Sunday, August 30, 1pm
Artist Talk with Edward Ranney & Charles Ross at the Albuquerque Museum.
More details
For more information about the Albuquerque Museum visit www.cabq.gov/museum
The
Albuquerque Museum
2000 Mountain Rd NW
Albuquerque, NM 87104
t. 505-243-7255
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